Dark mountains wore a garment of green.
The monastery stood in the lap of the valley
like a glistening pearl in the mother shell.
Few knew of its existence
and yet a golden beam of light
fell upon it every day and cradled
a golden treasury of ancient times.
July 31, 2016
Thanks, anu x for the image
The monastery stood in the lap of the valley
like a glistening pearl in the mother shell.
Few knew of its existence
and yet a golden beam of light
fell upon it every day and cradled
a golden treasury of ancient times.
July 31, 2016
Thanks, anu x for the image
Ivan Milev
The Maglizh monastery (1924)
. . . . .
Ivan Milev Lalev (Bulgarian: Иван Милев Лалев; 18 February 1897 – 25 January 1927) was a Bulgarian painter and scenographer regarded as the founder of the Bulgarian Secession and a representative of Bulgarian modernism, combining symbolism, Art Nouveau and expressionism in his work.
Ivan Milev was born in the town of Kazanlak in the family of shepherd Milyu Lalev. In 1917-1918, he fought as a soldier in World War I. On 18 November 1918, the same year that he finished high school in his hometown, he arranged an exhibition in Kazanlak. For two years he was a teacher in Gorski Izvor, Haskovo Province. In 1920, he was admitted to the National Academy of Arts in Sofia, where he studied under Prof. Stefan Badzhov, and had three one-man exhibitions. He also contributed to the communist comic magazine Red Laughter (Червен смях, Cherven smyah) as an illustrator and cartoonist.
In the summer of 1923, he visited Turkey, Greece and Italy with a group of fellow students. He was introduced to the achievements of the Italian Renaissance and the Italian Baroque in Rome, Naples, Florence and Venice. In 1926, he graduated in set decoration from the National Academy and worked for the Ivan Vazov National Theatre as a stage designer. Afterwards he became an independent freelance painter and illustrator and he also painted frescoes. With a group of colleagues he took part in the Shipka Memorial design competition, but came second.
Generally living in poverty, Milev had a brief 18-month marriage to opera singer Katya Naumova; their daughter Mariya Mileva eventually became an architect. Milev died of influenza in Sofia on 25 January 1927, shortly before his thirtieth birthday.
Regarded as one of the great masters of distemper and watercolour painting in Bulgarian art, Milev often created socially loaded works. His characteristic decorative style was much influenced by the European Secession, but it was also related to Bulgarian folk art and icon painting. Milev's paintings are exhibited in the National Art Gallery, Sofia Art Gallery, the Shumen, Kazanlak and other cities' galleries.
Milev is portrayed on the obverse of the current 5 Bulgarian leva banknote issued in 1999, with some of his works depicted on the reverse side.
~ extract from https://en.wikipedia.org/wiki/Ivan_Milev
. . . . .
image from http://www.wikiart.org/en/ivan-milev
. . . . .
#Art #IvanMilev
. . . . .
The Maglizh monastery (1924)
. . . . .
Ivan Milev Lalev (Bulgarian: Иван Милев Лалев; 18 February 1897 – 25 January 1927) was a Bulgarian painter and scenographer regarded as the founder of the Bulgarian Secession and a representative of Bulgarian modernism, combining symbolism, Art Nouveau and expressionism in his work.
Ivan Milev was born in the town of Kazanlak in the family of shepherd Milyu Lalev. In 1917-1918, he fought as a soldier in World War I. On 18 November 1918, the same year that he finished high school in his hometown, he arranged an exhibition in Kazanlak. For two years he was a teacher in Gorski Izvor, Haskovo Province. In 1920, he was admitted to the National Academy of Arts in Sofia, where he studied under Prof. Stefan Badzhov, and had three one-man exhibitions. He also contributed to the communist comic magazine Red Laughter (Червен смях, Cherven smyah) as an illustrator and cartoonist.
In the summer of 1923, he visited Turkey, Greece and Italy with a group of fellow students. He was introduced to the achievements of the Italian Renaissance and the Italian Baroque in Rome, Naples, Florence and Venice. In 1926, he graduated in set decoration from the National Academy and worked for the Ivan Vazov National Theatre as a stage designer. Afterwards he became an independent freelance painter and illustrator and he also painted frescoes. With a group of colleagues he took part in the Shipka Memorial design competition, but came second.
Generally living in poverty, Milev had a brief 18-month marriage to opera singer Katya Naumova; their daughter Mariya Mileva eventually became an architect. Milev died of influenza in Sofia on 25 January 1927, shortly before his thirtieth birthday.
Regarded as one of the great masters of distemper and watercolour painting in Bulgarian art, Milev often created socially loaded works. His characteristic decorative style was much influenced by the European Secession, but it was also related to Bulgarian folk art and icon painting. Milev's paintings are exhibited in the National Art Gallery, Sofia Art Gallery, the Shumen, Kazanlak and other cities' galleries.
Milev is portrayed on the obverse of the current 5 Bulgarian leva banknote issued in 1999, with some of his works depicted on the reverse side.
~ extract from https://en.wikipedia.org/wiki/Ivan_Milev
. . . . .
image from http://www.wikiart.org/en/ivan-milev
. . . . .
#Art #IvanMilev
. . . . .
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- +Tamriko Pasjuk Thank you so much my dear Tamriko! A blessed time for you too. May you always be kind and gracious
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- +tony langmach I am always attracted to heritage buildings, and especially to the old temples, churches and mosques. Places where I really find peace
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