Sunday 26 July 2015

THE EAGLE
And one day when you are at the end of all the roads
the eagle will come for you.
And that will be the end of the bed-time stories I told you in your nights my boy,
That will be the end of fairy-tales.
That will be the day the eagle will carry you
on his wings and teach you the morals of the fables I taught, a flight-path into the sky
Sushama Karnik
"A dark poem is meant to redeem the dark part." (C. K. Williams)

Experience:
https://vimeo.com/119777338
(Kin Fables (h/t VR))

“You're beautiful, but you're empty...One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose.”  ( The Little Prince / Antoine de Saint-ExupĂ©ry)

Image: Kin  S&B McKinnon

Saturday 25 July 2015

THE Mermaid Will Not Sing

THE MERMAID WILL NOT SING
Ten thousand leagues down the sea
the mermaid has gone and lying still.
Her bed of ocean has wrapped her around
in peace and a tranquil ease.
She will no longer hear the sailors and the passers by.
Like the peals of the brass temple bells
dipped in waters of a vessel green
her songs will float to the surface of the sea
when the night is silent and the ocean sings           Image credit : +Fabien Todescato

TARA

 TARA

And one day the mountain erupted,
A magnificence,
but sad.
The mountain broke all the vows of forbearance, compassion,
because the mountain could not help.
For days on end the sorrow flowed
in rivers of fire liquefied .

On the day when the mountain cooled
two tears fell.
Massive drops of green and blue,
the mountain's delight.
And thus was Tara born,
the green eye told her what to do, how to heal and let a thousand seeds come to life
and make the earth green
and the blue eye told her how to love; simply watch and love.


crystalherbalism:Crystal Herbalism- Goddess Tara Tara is a Buddhist Goddess that was formed from a tear which fell gracefully to the ground and formed a lake. Out of the silken blue waters rose up a lotus, and her Tara emerged. Tara is a protector, a mother of all goddess, and a healer. She helps you overcome obstacles, manifest goals, spark creativity, and find peaceful flow in your journey. Tara is connected to the energy of water and the earth. I have been working with Tara and her energy to find that she brings clarity to situations where you feel emotionally blocked, she provides compassion to help you overcome struggle, she also allows you to find strength within your spiritual path. Tara provides “protection during your earthly and spiritual travels”.Create an alter with a Tara statue and use a crystals of your choice from below to pair with her, you can even place a small glass bottle with the tea blend below inside it near her. I even wear a Tara pendant on my Aquamarine Mala. Take time and connect with Tara as you sip the tea and mediate with your crystals. Feel the river of her peaceful energy flow through you. Tara Tea1 tsp Chamomile½ tsp Lavender½ tsp Rose Petals½ tsp Spearmint½ tsp Licorice RootCrystals: Aquamarine, Rose Quartz, Blue Tourmaline, Celestite, MoonstoneChakra: Third EyePhoto Tara Pendant & Stone Malas

Saturday 18 July 2015

Todi Ragini





Streams in the silent river
and I hear
the sound of her footfall in the leaves and the grass
 as she follows her path in the woods at the silent hour.
The leaves on the floor are gently brushed under her fragile pressure.
Hush, listen, the sound of her harp has begun , and it slowly mounts and fills the woods.
A moment's lull and I restlessly search for her presence
as if I may lose her forever in that pause.
The lost sound emerges as if from a distant cloud.
The sound of the silent love at the heart of a woman, alone and glad, her quietude sings
a song of gratitude, a song of grace, for all that she knows of
the secret of the river's turbulent tide,
 the passion that drives the drifting cloud, the exquisite pain
of the desire felt in the shadows of hills.
The inner landscape,the sacred space unfolds,
the sadness,anguish and gloom,
run in and fold in a blessed way.

The note of wistful,penetrating joy
and I know not if I am sad or swinging,
Her harp stops singing; I don't know when.
The last note not sung, the harp still held in a sway,
I am waiting , the last note, the acme of all my life
is yet to emerge and sweep me away.


Friday 17 July 2015

Afterglow

AFTERGLOW

The afterglow
and the sun is nowhere in the sky.
What do I see on the farthest end? and here at my feet
where the light is dragging me with
the sand?
The sand, the land, the nuances,
merge in the tide that once rushed here,
and I stood in stark terror
of standing and waiting for the apocalypse.
Tides are bewitching, they are not content to leave
fractions of moments you can store as epiphanies.
The universe comes on
with a torrential rain;
if you dig your feet in the sand
it's not for the sake of a seaside game;
the tide dares you and you stare back.

Nuances, I hear them when the sea is a sea, not the mighty, outrageous phenomenon;
It's the small hour of the afterglow,
and the only movement seen in the distance
is a child rushing forth trustfully
to meet the ebbing tide.

Thursday 16 July 2015

Musings : Random

LIFE TIMES AGO

Life-times ago, I do not know
I had done all these things I am doing now.
The context, the surroundings , essentially the same;
the symbols of actions and feelings universal.
And I repeated the same blunders in contacting the essential truth of the persons I knew.
I stitched garments of pleasant hues and pretended not to see the turbulence,  their own and mine.
Why? Why do I not face the truths of life?
I feel I am nearing that magnetic force that draws in and does not hide.
Language , I have had too much of language to see things anew.
There have to be words with nuances and knowledge
in languages other than my own;
it has to be a language of an innate light, the light that travels and reaches from afar, from sources that seem to be far but have to be lying within my own being trying to rip the veil
of language of words and the human face.

Monday 13 July 2015

Apophatic Meditation

APOPHATIC  MEDITATION

How long have you been gone?
How long did i not trust myself?
How long did you stay after the come-back?
Does all that matter now, does it even make sense now?
This obsession, the thought of you lodged like a thorn,
how long?

Blank pages stare at me like orphaned children.
The rising of the sea in a calm weather, the sudden  rush ,
the rocks, the sky,
suddenly the sandy floor shifts.
A life-time lived and gone
in a single grain of sand.

The strife of will, the entire language of your being
read like a syllable in a flash of a lightening,
and the book of life, an abysmal gap,
and the words which could fill in , forever lost.

I am haunted by the feeling that I read you wrong,
and the doubt creeps in to say,
"Or did I in fact read you right at the end of it all?"
I had no name for you, no pronoun to engage and draw you in.
My world always cherished an empty space
in place of the pronoun I might use
to mark you, script you
into the space deferred
always for some future use.

Fear, it was always fear that strangled the voice of love.
Fear subverted into a battle, and I built walls all around.
Like a feline walking with a muffled sound
I roamed around your ranges of mind and heart.

You subdued me; subdued my pride,
and you did it in your way, unknowingly you did what  needed to be done over the long ages in my past.
It was not indignity;
it was the necessary skill

Silent, attentive to every nuance of the thought
that made an appearance in your sky
I charted a flight-path to reach you there
where already the height had called you, beckoned you to reach in the sky.

Your nobility, patience, which I failed to see and understand;
I stumbled and fell and gave up the path.
When I gathered the stamina to rise again,
my strength with every fall and rise
was diminished, and my sight was dimmed
with the trauma of falling despite the effort to understand.

A friend with a heart of gold,
your heart kept growing,glowing with your very own light,
and I kept myself in the shadows,
not knowing if that small gesture of warmth
which touched me like magic
was the miracle after all
that I glimpsed but deferred  as not the moment yet,
a moment destined but not yet come.

And the impossibility of finding you,
finding you in the truest sense
drove me almost to insanity.
My nemesis to be sure was to come through the error
of not  doing the right gesture at the right time,
and the gesture that finally did happen
was no gesture at all,
Striking in a fury, I did bruise
where it could hurt the tenderest link
that continued to hold me on to you.

Saturday 11 July 2015

Dark Night 3



The dark night is dark
like the trees folding their wings
of branches in their darkest sleep.
The wings, the birds caught in the spell of her sleep
are waiting to find release.

A glow somewhere at the heart
is radiating in the dark, the night is listening.
A dispersion of a light,
 an aura that trembles and refrains
from suffusing the hidden moon
with any of the ray's evanescent glow.

Try not to tell this night
that nothing is lost, nothing forgotten.
All is hidden behind the hills.
The night is past belief;
so let her sleep. The sounds
of the cosmos and their rounds
of eternal orbits around the sun
hold no meaning for the night.

Across the globe, behind the hills
there is a sunrise she will not know.
Across the globe, behind the hills
there is a juvenile sun who will not know
that there is a silent night
holding the sleep to her bosom
as if a child has just arrived
that needs to wake the sleeping blossom
of the tenderness that has gone to sleep 

Friday 10 July 2015


Dark Night  2

The face of god she had glimpsed,
and the dark night needs to sleep
to have that glimpse again
albeit in a dream.
If no divinity, human may it be;
the dark night is searching,
groping in the dark
the corridors of history,
the corridors of past,
the hope that it may lead
to the secret behind the cosmic error,
or the personal error that the night may see
where it lost the way;
lost the face of the human
that lurked behind the God.

Dark Night

Dark night

Ask no questions to the dark night
She is lying still.
Her solace, if it does not soothe,
she has no answers.
Clouds are best when they are grey,
undeceiving absence of colors;
Nights when dark are simple
even if the sorrow, open and candid, hurts.

Let the darkness be its own,
undiluted intensity, desires, not wild but true,
and if they do not want to speak,
respect the sadness; retreat and let them retreat.
They are not yours to own.

The dark night hides the flow,
its stillness: a cover for the turmoil,
no turbulence to be shown, perhaps, it was silenced long ago.

The dark night selfish, behind the screen,
let her be centered in the self.
She needs to find her lost rest;
and it's no craving she needs
to fill up the gorge where she could not flow.

Certain syllables are missing in her script,
certain gaps where ink did not show.
Maybe, in her dreams she may find
what the unrest did not define.


AGALMA

AGALMA

AGALMA
The seal I print and leave here
at the foot of the ancient tree,
A cult, an image, a shadow of my dreamlike evanescent self,
a belated offering in a belated shrine made,
I leave it here and go.
My prayer stands, alone and weathering the storms,
the imprints of a night's stopover,
while the ceremony of the change of guards
occurred with no witness around.
My prayer stands that you may find, perchance by some divine mistake,
the collectibles I left, and that was no mistake at all,
that they were the agalma left for you,
The prayer stands guard that no stray marauder passing by
on a fortuitous night of some dark phase,
may steal it out of your sight.
The prayer stands that the words, the agalma elaborately crafted,
though never to be placed on a pedestal,
may still stand firm in the storms that may be caused by raging winds.
The prayer stands that the sacredness of the song may not be defiled by the casual mockery of ignorant tribes of passers by
and may you find the mendicant's gift worthy of perusal in your restless nights.
 

WHITE NIGHT PARTS 1 TO 4

 WHITE NIGHT 1

"And was it his destined part
Only one moment in his life
To be close to your heart?
Or was he fated from the start
to live for just one fleeting instant,"

And how could she foresee
the intent in your heart?
How could she divine the secret passion that you hid in your heart,
the passion without a name and without a face too?How would she know who held
her when she sidled close, to  him or to you?

And why did you create the distance to separate your identity in two?
And when she chose one of the two
why did you take away from her the one she chose
to step in and remove from her the one face she believed she loved?

You scripted the story of a fated lover
destined to be close to her
only for a moment
and then to be torn apart?

All this while you kept a chair for her
in your private zone
for her to occupy as if it belonged to none but her.
And when she was halfway close, forgetting a little
the pain of her separated lover,
she, looking with a craving to the empty chair,
why did you keep quiet and watch her come and go?

And now to keep her wondering who
it was she loved and lost
you have already willed her half-way to come to you
and she knows not how and when she was drawn to you.

And strange rivals, one who loved and lived, who you hid in your heart!
and the one she believed she loved and lost,
were you the one whom she loved?
You were playing with embers which were about to die.
Did you so much as this rely
on the rules of playing a game so dangerously close
to the brink of a fatal loss?

A something 'missing' in the order of it all,
a longing for the simple and the true ,
the something which language would not rob
of certainty in the shifting scenario of
avalanche and arid sands,
both dreaded for their extreme
lack of presence,
the presence that must enter and survive in the gap....

Is she the one fated also to be like he,
the one fated from the start
to live for one fleeting moment in your heart?

And here by the old fireplace she sits,
in the dwindling of the edifice of frozen things
creating a distance between her images, symbols and her meanings,
a cavern for her to hide from you what she would not reveal,
a fear: a primordial fear of giving up
what never belonged to her,
the primordial fear of the pronouncement of judgement
on a woman who fails to understand
the storms ravaging all her being,
the men who come and go,
and the loneliness behind it all,
the shadow with whom she is finally left,
the futility of surviving in the dark,
questioning the need to articulate
the fears, the projections of the mind cast on the wall ,
hiding and simultaneously wanting you to know
that the she of the discourse and the "I" who hides are not different; they are the same,
the identical in the world of the real

White Night 2
THE WHITE NIGHT
Through the light and the dark the storm raged and ravaged the heart
of a lonely one sitting by the fireplace
weaving in the dark
the motifs of an art no longer held valid
for the order of the real or the imaginary worlds, long back left behind.

before awakening to the light of the dawn,
before the white night wrote the script
for the destined one to read in the day,
the lonely one has to wind up the spool
of the loose threads and put them in place.

Such ravages, the storms over the mighty intractable seas,
and the the lonely one fell into them
as if out of choice, and survived by the instinct to live.

Now, one tidal wave,as it threatens to sink,
the raft, the oar and the frail navigator,
another taller wave has come to conquer and subdue the one that threatened and surged to swallow the surf and the raft.

One wave rises to swallow another,
rushing forward with a diminished tide,
losing its force and merging with the shore in serenity.

The Real is there beyond the shore,
no language can transmit the desire to reach, the desire to transcend the agitation
once and for all, the Lover whose silence supersedes
the primordial desire for the ultimate word of Love.

 WHITE NIGHT 3
White night spreads over all
finally, the peace
descending over the field of deception,
the fragments they try to read
in the ancient papyrus
that inscribes the will of the ancient goddess.
The truth of being incomplete
is the breeze from the far away land
blowing when the night is white, when nothing is as yet scrawled
over the white surface holding its existence in the dark.

The restless anguish,
its name is the first word inscribed on the sprawling papyrus.
Desire, the primordial unrest transcending the need and the demand,
The white night brings you face to face
with the unnameable, unutterable silence,
a wavelike upsurge;
it annihilates the last line drawn
on the map of all we recognize to be our own.
The desire, elementary, profound like the silence heard in the forest where animals move
in the freedom and the joy of being their own guard,
;
Do they ever seek the God of their kingdom?
Why do I seek you when I should be seeking
either God
or the wild animus I lost
with
the growing up in the wilderness of forgetting and learning?

How can I unlearn the habits I acquired living inside
the walls of deception?
The weariness it brought
and i finally decided to label it unreal and stash it behind the wall.

The Impossible, the undefinable,
and the irony that I could still recognize
when it came and sat on the edge,
the cause of nemesis
or the path to resurrection?

The sadness consumes like a lethal potion
the deep crevices of the heart.
The Impossible, the abyss, I have no single raft
to negotiate the pathway to the Impossible.
The Impossible does not speak
and it is the Real.
Its word is unique.
It comes overriding the waves.

Perhaps the Impossible also yearns
to be heard, to be understood
beyond the bounds of its unified domain and solitary gloom.
Something sinks deep
and carves a space for a thing in the soul
that cannot speak and cannot sleep
while the white night treads the path 

THE WHITE NIGHT 4
The woof and the warp of the complex language
the shackles I inherited from the past,
the shackles that were never on the wrists and the ankles to bind
the primitive forefathers of long ago.

The scourge, the curse, the spell I cannot discard
it will bind me forever until I die
carrying a burden I could not find a spot to lay down
on an empty path.
Everywhere the paths bore the names, the maps, the domains and the territories
of the empires I could not call my own.
The language I spoke
an alien scribe gave it to me from a woe-begone past
of a country none remembers to visit.
The scrawl in that language had a name
for the unnameable, the Impossible,
which Lacan just glimpsed but feared to call either the God
or the Spirit of the Universe
disappeared behind  the unoriginate Time.

The desire lifts me on the wings of Time and infinity;
the eagle's eye, the single eye,
shows me a glimpse of what i had lost,
and lodged as I am in the here and now
proscribed by needs and demands of time,
I still try to fly on the wings
crippled by atrophy
of long disuse.

There is a pronoun called 'You'
in the language I once learnt to use.
It's forbidden for use when I think
of the unnameable in the language I use
on the exchange counter of the international currency I perforce use.

Let me dare and say,
"YOU' as I mean YOU
are unique, an unbelonging,
a severed connection of a lifetime ago,
a subjective feeling entirely,
a feline walk over the roof
when no moon shines in the sky.

When the night is white and has no edge
the horizon unveils YOU to my sight
in full splendor, you dare me
to call you Unreal.

.

Sushama Karnik






Thursday 9 July 2015

WHITE NIGHT 2

THE WHITE NIGHT
Through the light and the dark the storm raged and ravaged the heart
of a lonely one sitting by the fireplace
weaving in the dark
the motifs of an art no longer held valid
for the order of the real or the imaginary worlds, long back left behind.

before awakening to the light of the dawn,
before the white night wrote the script
for the destined one to read in the day,
the lonely one has to wind up the spool
of the loose threads and put them in place.

Such ravages, the storms over the mighty intractable seas, and the the lonely one fell
into them as if out of choice, and survived by the instinct to live.

Now, one tidal wave,as it threatens to sink,
the raft, the oar and the frail navigator,
another taller wave has come to conquer and subdue the one that threatened and surged to swallow the surf and the raft.

One wave rises to swallow another,
rushing forward with a diminished tide,
losing its force and merging with the shore in serenity.

The Real is there beyond the shore,
no language can transmit the desire to reach, the desire to transcend the agitation
once and for all, the Lover whose silence supersedes
the primordial desire for the ultimate word of Love.

White Night

"And was it his destined part
Only one moment in his life
To be close to your heart?
Or was he fated from the start
to live for just one fleeting instant,"

And how could she foresee
the intent in your heart?
How could she divine the secret passion that you hid in your heart,
the passion without a name and without a face too?How would she know who held
her when she sidled close, to  him or to you?

And why did you create the distance to separate your identity in two?
And when she chose one of the two
why did you take away from her the one she chose
to step in and remove from her the one face she believed she loved?

You scripted the story of a fated lover
destined to be close to her
only for a moment
and then to be torn apart?

All this while you kept a chair for her
in your private zone
for her to occupy as if it belonged to none but her.
And when she was halfway close, forgetting a little
the pain of her separated lover,
she, looking with a craving to the empty chair,
why did you keep quiet and watch her come and go?

And now to keep her wondering who
it was she loved and lost
you have already willed her half-way to come to you
and she knows not how and when she was drawn to you.

And strange rivals, one who loved and lived, who you hid in your heart!
and the one she believed she loved and lost,
were you the one whom she loved?
You were playing with embers which were about to die.
Did you so much as this rely
on the rules of playing a game so dangerously close
to the brink of a fatal loss?

A something 'missing' in the order of it all,
a longing for the simple and the true ,
the something which language would not rob
of certainty in the shifting scenario of
avalanche and arid sands,
both dreaded for their extreme
lack of presence,
the presence that must enter and survive in the gap....

Is she the one fated also to be like he,
the one fated from the start
to live for one fleeting moment in your heart?

And here by the old fireplace she sits,
in the dwindling of the edifice of frozen things
creating a distance between her images, symbols and her meanings,
a cavern for her to hide from you what she would not reveal,
a fear: a primordial fear of giving up
what never belonged to her,
the primordial fear of the pronouncement of judgement
on a woman who fails to understand
the storms ravaging all her being,
the men who come and go,
and the loneliness behind it all,
the shadow with whom she is finally left,
the futility of surviving in the dark,
questioning the need to articulate
the fears, the projections of the mind cast on the wall ,
hiding and simultaneously wanting you to know
that the she of the discourse and the "I" who hides are not different; they are the same,
the identical in the world of the real