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Wednesday, 29 January 2014
Two Horses
Monday, 16 December 2013
Thursday, 12 December 2013
Song of the Courtesan Translation of the lyric in the dance sequence of the Royal Court-dancer
The Song of the
Courtesan
Translation of the
lyric in the Dance sequence of the Royal Court-Dancer
When under the
expanse of the deep blue sky
The night overwhelms
the day
In her wild embrace,
here where I stay,
The little bird
nestling in my heart
Leaves its shelter
and soars high.
I am lost to myself
all these days.
Whenever a flower
smiles in the breeze
The fragrance of love
comes wafted to me on the wings of the wind
And I pine sweetly in
the languid flame of love.
With every wild beat
of the heart I whirl,
and sink deep in the vortex of this fateful
passion.
Memories flood and
the deluge sweeps me off my feet .
It’s a river out of
bounds and my moorings are gone.
But now I have begun
to feel
Something stirring in
the air.
The fading light of
the day whispers its message to me.
It whispers and says,
“ A strange new moon is going to come; hold your breath and wait.
His eyes have the
light which will seek you out.”
Ever since I heard
the message in the wind, I’ve been listening for the sign of my moon.
The single leaf that
trembles in the wind
Sends a shiver, down
all my being.
Startled, I look up and search down the path
that may bring him to me,
That may bring him to
me.
Translation of the lyrics in the two classical dance-sequences The Melody of Rocks
The Melody of Rocks
It's me who lives in your heart
It's me who you hold in your arms
Here on this earth and there in heaven--
I know, none dwells there but you and I.
Let's we too vanish; and let there be none.
The light of the dawn and the light in your eyes
Is none but me.
Open your eyes and the little image shining in the iris will be me.
I am the language of all that is true.
Your chisel knows how to translate me
into a sculpted image in stone.
This evening wavering between twilight and dark
is drunk with love . Listen, it's calling you, my love.
These are the rocks you see before your eyes
standing abandoned in the wilderness of hills.
Bring them to life with the chisel in your hand.
Let the sculptor's. hand touch them and make them speak,
and write his lyrics
on the dark surfaces of their stony hearts,.
seek out their language,
and then, the wilderness will wake up and sing to the forest
the melody of rocks.
Tuesday, 10 December 2013
Desert Storm
Desert Storm
My heart, listen,
listen to the voices of the desert storm;
listen to me when you hear
nothing but the voice of discord and noise all around
You will hear then
the voice of our soul speaking to you.
It will have something to say.
Restless and anguished,
when you search the hours of sleep
and the heart is tired,
I bring you the message of the mountain breeze:
and when I do, I want you to listen.
When you sink in sadness
and know not from which dark forest the pain comes,
in that dark hour of night I am there
like the bright ray
of the light of dawn
to your sky
with the blossoms of the new season.
Where the flame of the desert sears the sky
and the little bird thirsts
for a drop of water
I bring rains
to the barren plains.
When the life is humbled
by the hot desert storms
and a day comes when
the whole cosmos seems to burn
remember on that day that I will surely come
as the flower of that night..
Saturday, 12 October 2013
Paart 2 of Patanjala Yogadarshana Sadhana Pada Foreword
Part 2 of Patanjala
Yogadarshan
Sadhana Pada
Foreword
The part 1 of Yogadarshana showed us the progressively deeper
attainments of meditative states starting from the practice of overcoming distractions
and dwelling on the object of concentration with unwavering attention, and
finally culminating in a state of union of the individual soul with the divine
consciousness. In part 1, we were taken over the whole expanse of the terrain
of the meditative states. Part 2, which is called Sadhana pada, is about the
intensive study of the methods to be learnt and followed in the pursuit of the
Yogic practices. This part is intended to put the theoretical knowledge which
you gained in part1 to the test of actual practice. That is why, you should not
be surprised if you find the crucial points of part 1 revisited in part 2. But the
purpose of going over them again is not to gain any deeper understanding of
those points, but to give you time to take each aspect of Yoga into your hands,
master it both theoretically and practically, and finally make Yoga an integral
part of your personality and life. The emphasis in this process was on overcoming
distractions, and it was brought to our notice again and again that distractions
cannot be eliminated; they have to be overcome with a disciplined effort.
Life is taken up by three kinds of actions: survival,
understanding, and doing. Survival, when it is dissociated from action based on
knowledge, turns into blind reactions to the hostile forces which govern our
life. In the absence of vision or perspective, our living is fragmented and
wasted in devising strategies of conquests and defenses, and in doing this we
encounter enemies, both in the world of nature and in the world of fellow
humans. The greater the process of narrowing down, the greater is the
fragmentation and alienation of individual life from its source. The result is
that we think and feel in terms of differences, divisions and discords.
The first point of emphasis in Sadhana Pada is the need for
achieving integration of the act of survival with the acts of understanding and
doing the things in an enlightened way and not in a blindfolded way. When our
actions are derived from the right understanding, we truly begin to live, not
just for our own self, but for all. The Sutras 1 and 2 of Sadhana Pada define
this new way of life as Kriya Yoga, i.e. actions which derive from the
integration of the yogic insight into life. This is going to be a whole new
process, not only of revolutionizing the individual consciousness, but of
transforming the very way of life in us and consequently in others. This change
is bound to take place because the intensive practice of Yoga has a deeply
transformative effect on the individual and his or her environment. This
transformation is natural, not induced by arguments, persuasion or proselytizing.
The first Samadhi Pada introduced the concept of Yoga as the
practice of bringing the mind under the control of the higher Self. The second
section, Samadhi Pada, describes the nature of the actions which spring from
the mind which is self-disciplined, and names it as Kriya Yoga. When life is
lived in this integrated way, all our actions manifest the right action, the
right understanding and the right living, all in a spontaneous and naturally
unified way. We shall take up the Sutras from the next chapter onward.
Sunday, 6 October 2013
ARather Long Short Story 4. 6 October 2013.
I was still wondering about how the tragedy struck this
angelic pair of brother and sister when I noticed Emma fidgeting with a rather
heavy-looking watch on her slender wrist. It looked very odd on her wrist
because it was the kind of watch I generally noticed on the wrists of
army—personnel.
To be contd.
6 0ct0ber 2013
4.
I was extremely tired on that day, but I realized that for
Emma and Charles, this chance meeting of ours was something like an oasis. They
seemed to cherish these moments of contact. My being a stranger did not hinder
the closeness they had begun to feel for me by now. Charles had finished his
coffee, but unlike in our last meeting, he was not fidgety and troublesome now.
He was not eager to go home. I saw him prodding his sister about something.
Emma understood it and looked at him and me in amusement. “He wants to share
something with you. It is something we are not allowed to look at when we are
at home. So he carries it secretly in his schoolbag.” I was a bit alarmed as I
heard her say this. I saw Charles looking at me eagerly and Emma looking at him
and smiling indulgently. I was wary. I said haltingly, “Umm, well, I hope it’s
nothing out of the way.” Emma’s expression changed rapidly from amusement and
indulgence to a deep hurt. There were tears in her eyes. I was afraid she might
just get up and leave. I ignored her tears and covered up my lack of tact by
leaning across the table and reaching out to Charles with a great display of
joviality and said, “Oh yeah! Charles, what is the secret you want to share
with me?” Charles, who was blissfully unaware of the tense moment between me
and his sister, fished out something from the deep pocket of his schoolbag and
spread it out before me. It was a black and white photograph of a man in the
army uniform. The man was full of health and energy and smiled across to the
camera with the joy of life shining in every feature of his remarkably handsome
face. When I looked at Charles leaning
across the table, watching me proudly, there was no need for me to guess
further. I looked at Emma remorsefully. She had mastered the tears, but she was
in no mood to talk to me now.
I said, “Is this your father?” She just nodded. I obviously
could not expect her to say more than this. I could not show any further
curiosity than what was proper at that moment.
After some moments of silence I ventured to say, “But you
should be proud of this photo you have of your father. Why do you have to hide
it in Charles’s schoolbag? Is this the only photo you have of your father?”
Emma said, “No, we have an album full of photos. But our aunt
has taken it away from us. This we had found left behind in my mother’s drawer.
My aunt says that children like us should not get stuck in the past, we have a
long way to go, she says, and we must look ahead.”
I failed to understand this piece of wisdom on the part of
her aunt, but Emma seemed to have no problem with that.
To be contd.
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